Scholarship Blueprint » New

Welcome to the College of Charleston

Eric Stevens — Sun, 28 Mar 2010 03:14:37 +0000

This is one of the most exciting and distinctive places on the planet to live and study, a place where the past and future influence life every day. The College of Charleston doesn’t feel like any other college. Here, rows of live oak trees draped with Spanish moss frame the brick walkways of the main campus. Our students quickly learn that the College is inextricably woven into to the beautiful and historic City of Charleston, which becomes a cherished part of their lives. Founded in 1770, the College of Charleston is the oldest institution of higher education south of Virginia and the 13th oldest in the United States. The College has earned a reputation for excellence in the liberal arts and sciences throughout its 230-year history, and this remarkable tradition provides a strong foundation for 21st century learning. Here you’ll find extraordinary opportunities for study that are rigorous and rewarding, guided by faculty who love to teach and get to know their students. In addition to offering a broad range of undergraduate degree programs, we provide 17 master’s degree programs to give our students a solid education in specialized fields of scholarship. We also offer an extensive array of educational opportunities and cultural activities for residents of the Lowcountry, the region, and the state. And we have a wide range of recreational activities, such as popular intramural program, more than 150 student organizations, and successful NCAA Division I athletics teams. If you are a prospective student, or parent, come visit the campus to see for yourself why this university is like no other. In the meantime, take a few minutes to browse through our website. Make the College of Charleston your gateway to exceptional opportunities.

NEW Dre ft Chris Brown – Erased [2008] + lyrics

Eric Stevens — Mon, 15 Mar 2010 14:49:24 +0000

Dre ft Chris Brown – Erased Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.” you don’t see me the same no more it’s hard to see the light with closing doors don’t treat me like, like i’m invisible your tone with me, it’s not the usual we scream, we fight saying things that we both regret and that’s not right that you could just forget me like that you’ve never tried always taking the easy route, always taking the easy route never wanting to work it out [hook] you want to be free you want to leave me i can’t believe ’cause without you baby i’m incomplete [chorus] am i erased? just a segment of your imagination i’m feeling replaced like a faded picture where you can’t see my face I’m scratched out, erased, erased, erased 4x [verse 2] in memory of what we used to call love i reminisce what used to be us remember when, when i was the most important to you but now i’m a ghost the trust has died there’s no way we can bring it back you live a lie with all those bars & strings attached cause in your eyes a part of you just want me back and all of me just wants you back, oh [hook] you want to be free you want to leave me i can’t believe am i am i… [chorus] am i erased? just a segment of your imagination i’m feeling replaced like a faded picture where you can’t see my face I’m scratched out, erased, erased, erased 4x [bridge] can anybody see me see me now? i’m erased from the crowd so cold and i don’t know how find me now [chorus] am i erased? just a segment of your imagination i’m feeling replaced like a faded picture where you can’t see my face I’m scratched out, erased, erased, erased 4x

Patricio Molina – Debussy Prelude Voiles

Eric Stevens — Wed, 03 Mar 2010 13:14:37 +0000

PATRICIO MOLINA, PIANIST A native of Chile, the 18- year-old pianist Patricio Molina made his debut at the tender age of three appearing with the Catholic University of Chile’s Orchestra on the popular television program “Venga Conmigo” (come with me). Immediate following his appearance, Patricio was awarded a full scholarship by “Amigos del Teatro Municipal”, the educational funding arm of the Municipal Theater of Santiago. This scholarship enabled Patricio to study free of charge in the School for the Arts within the University of Chile for the next ten years. During this time he won the “Claudio Arrau International Piano Competition” three times (I, II and III Level), and performed concerts in Germany, Jordan and throughout Chile. Upon his arrival in the United States in 2004, Patricio entered Manhattan School of Music where he is a full scholarship student in the studio of Dr. Marc Silverman, Chairman of the Conservatory’s Piano Department. His talents were quickly recognized by the New York Times which described him as “a gifted young artist” when they heard his performance on the Symphony Space “Wall-to-Wall Stravinsky” program. In 2005, Patricio was awarded First Prize in the International Piano Competition of New as well the Grand Prize as the outstanding performer in all categories of the competition. As the winner of last season’s Precollege Concerto Competition, Patricio performed Saint Saens’s Concerto No. 2 in G minor with the Manhattan School of Music Precollege Orchestra. Achille-Claude Debussy (pronounced [aʃil klod dəbysi]) (August 22, 1862 — March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century. Debussy’s music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.